6. Larghetto e cantabile
11. Allegro: Giga
12. Giga: Presto
Concerto for harpsichord:
13. Vivace e staccato
This recording comprises both volumes of the complete harpsichord works (12 Sonatas as a whole) composed by Paradisi in London in 1754, herein recorded with a pure digital sound.
Paradisi reached great fame as high quality composer, but also as teacher and concert performer.
From a harmonic, melodic and a rhythmic point of view, these Sonatas show very well how the Neapolitan School strongly influenced Paradisi’s style.
As known, this school hasn’t produced just important composers of operas, but also prominent harpsichordists. These are surely refined masterpieces of considerable technical skill demonstrating a real sense of the instrument’s tone, as well as a profound understanding of the instrument’s sound quality.
It is not easy to fully appreciate whether the Complete Work of twelve sonatas have been conceived at the same time, or in different periods. The variety of stylistic references, the cross- references to a typical Neapolitan taste, as well as to a French one, resorting to the technique of Domenico Scarlatti, but even to Johann Christian Bach, would lead us to assume different chronological moments; however it may also be a wisely handled versatility.