concerto_2005

Nino Rota, Ennio Morricone, Ferruccio Busoni, Mario Castelnuovo-Tedesco, Raffaele Cacciola, Vittorio Fellegara, Michele Dall'Ongaro

Allegro Danzante, one century of Italian music

Rocco Parisi (clarinet), Gabriele Rota (piano)

1 CD STEREO DDD - Time: 67:10
14 pages booklet, Italian/English/French/German

€12,00

Product Description

The tracks by Nino Rota, Allegro Danzante; Ennio Morricone, Ipotesi; Raffaele Cacciola, Storie; Michele Dall’Ongaro, Errata corrige are all Worldpremiere

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Tracklist
1 Nino Rota (1911-1979) Allegro danzante (1977) Sonata in re (1945) – Worldpremiere 3:26
2 Nino Rota (1911-1979) Sonata in re (1945) – I. Allegretto scorrevole 4:14
3 Nino Rota (1911-1979) Sonata in re (1945) – II. Andante (quasi adagio) 3:58
4 Nino Rota (1911-1979) Sonata in re (1945) – III. Allegro scorrevole 3:50
5 Ferruccio Busoni (1866-1924) – Elegie (1920) 5:14
6 Mario Castelnuovo-Tedesco (1895-1968) Sonata Op. 128 (1945) – I. Andante con moto 6:58
7 Mario Castelnuovo-Tedesco (1895-1968) Sonata Op. 128 (1945) – II. Scherzo (mosso, leggero) 3:10
8 Mario Castelnuovo-Tedesco (1895-1968) Sonata Op. 128 (1945) – III. Lullaby (calmo e semplice) 4:46
9 Mario Castelnuovo-Tedesco (1895-1968) Sonata Op. 128 (1945) – IV. Rondò alla napolitana (rapido e tagliente) 3:54
10 Ennio Morricone (1928) Ipotesi (2000) – Worldpremiere 6:50
11 Vittorio Fellegara (1927) Wiegenlied – Volkslied con varianti (1981) 6:02
12 Raffaele Cacciola (1965) Storie (2008) – Worldpremiere 8:22
13 Michele Dall’Ongaro (1957) Errata corrige (1998) – Worldpremiere 6:26

 

description

Towards the end of the 19th century, instrumental music re-emerged in Italy ending melodrama’s centuries-long stranglehold, thanks to a generation of composers who dragged Italian musical culture from the backwards state of isolation that it had gradually fallen into to complete integration in the European scene. Along with it came enough precise objectives and successful implementations that make it possible to talk of an Italian school (much as in the past) or at the very least, an Italian approach to music in the modern world and the ramifications of this continue, to a certain extent, to exert influence today. This recording, dedicated to M° Giuseppe Garbarino, intends to provide a special perspective of this very rich instrumental flowering which, if not complete, is at any rate indicative of the various tendencies that have been transmitted to us. (from the booklet by Gabriele Rota)

Artwork: Marzio Tamer, Cavalluccio marino, 2006, oil on wood

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